How to Choose Matha Patti Style According to Face Shape

Matha Patti jewellery is a beautiful accompaniment headpiece and the latest fashion style trend with the brides today.Depending on your face shape,a well chosen elegant style Matha Patti can turn any bride into a princess.

It is very important to match your Matha Patti not only to your style of wedding dress but more importantly to the proportions of your face as well. The wrong shape of Matha Patti can make your face look too short and full or too long and thin. Also, the wrong style of Matha Patti can create a fashion mismatch and create a look of imbalance in your dress and accessories.Here is a short guide on how to select a Matha Patti Style that compliments your face and features.

To quickly determine your face shape, pull your hair back and with an eyebrow pencil or lip liner, trace the outline of your face on the mirror. Whatever the shape you've drawn on the mirror closely resembles is your face's shape. Now check our guide to see which Matha Patti style would look best on you.

Oval: Oval face is symmetrical and is considered to be the perfect shape.Oval Face Shape is the most versatile and proportionate of all shapes.People with well-balanced oval face really can play with different styles.Any style of Matha Patti goes well with this ideal shape.Although these brides are lucky enough to suit most styles of Matha Patti, avoid covering up your lovely symmetrical features with heavy and broad ones.

Oblong: When your face is long and narrow, you need to add width.Consider a broad and elaborate Matha Patti.

Round: If your face is round and full, you need to add length.To lengthen your face length, find a Matha Patti headpiece that is thin and less detailed.Remember to keep away from Pakeezah style side or half Matha Patti as it will stress the roundness of the face.

Square: Rectangular faces have a strong browbone, cheekbones and jaw bone structure.Pakeezah Style half Matha Patti worn by parting the hair on the side will soften the forehead and jaw line. It gives an asymmetric look to the wearer and makes you quite noticeable.

Rectangular: A rectangular face tends to have higher cheekbones and a higher forehead. The face appears to be longer than it is wide.While wearing a Matha Patti,those with rectangular faces should avoid center parting hairstyles as the eye will be taken down the middle of the face where it's longest and this will exaggerate your face length.For rectangular face the goal is to keep the face from appearing longer than it is naturally.Wear the Matha Patti on your forehead to cover it up a bit, as it make the face look more oval.

Heart-Shaped: Also known as “inverted triangle”, super-cute heart-shaped face girls have a wide forehead, a cheek area that is slightly wider than the hairline and then drops into a pointed chin. Braid your hair for a neat sweet, soft, feminine look that opens up your face.A regal style Multi Layer Matha Patti  which has more than one layer of side panels is flattering on a heart-shaped face because it opens up the face and features the gorgeous jawline of a heart shaped face.

Tips for Buying Indian Bridal Jewelry

Tips for Buying Indian Bridal Jewelry

Every Indian bride desires to look elegant, stunning and well-groomed from head-to-toe on the most awaited and memorable moment of her life - the Wedding. Guests attending the wedding ceremony too eagerly look forward to anticipate and catch a glimpse of what jewelry the bride will be wearing.To add a special touch to the bridal ensemble, after clothing, jewelry  is undoubtedly an important detail that needs to be considered when planning for your wedding.

A well chosen collection of bridal jewelry can greatly enhance the beauty and make you more graceful and elegant on this extraordinary day. Selecting the perfect wedding accessories can somehow be demanding as there is a wide array of beautiful and elegant pieces available nowadays that comes in an extensive range of prices and materials. It is best to have a general guideline that you can follow in order to narrow down your choices.Here are some tips for planning, searching and shopping for the best bridal jewelry to accessorize with the dress and completing your look.

• Don't make the mistake of waiting until the last minute to choose your jewelry or you might end up with a lot of mismatched pieces that simply don't look right together. 
• What ever style of wedding you're hosting can help you establish what style of jewelry you will wear.Your  jewelry will be the theme or colors you will be such as in your ceremony and reception.
• Make sure the accessories that you choose compliments your dress.Choose your dress first because you'll need to match your jewelry to the material, pattern and color of the dress in order to determine what type of jewelry would look the best.
• Jewelry must not be too flashy that it overshadows all the other details of your bridal outfit.The more embellishments the dress has, the less adornments you should wear. You don't want the accessories to overpower the design of the dress.
• Always select jewelry that suits your personality and makes you feel comfortable. Wearing something that you don't usually wear will make you nervous and uneasy.Also you need to select the jewelry keeping in mind your face cut,skin tone/complexion  and overall physique.
• You might also want to take into account the budget you have allocated for these accessories. Pick items that you can afford and suit well within your budget.
• Instead of buying brand new jewelry,you may consider selecting something that was passed on from mother to daughter such as antique jewelry heirlooms. It would make the wedding much more special if you use something that has been in your family for generations and perhaps it might even bring you the luck that  your mother or grandmother had with their wonderful wedding.
• Obviously no bride wants to be borrowing someone else jewelry to wear on her special day but renting jewelry might just be the perfect solution for those brides who are on a budget and are not particularly keen on spending a fortune on jewelry that they are likely to only use once maybe.Many beauty salons rent out bridal jewelry sets on a daily basis.

Hindu Bridal Wedding Jewelry

Indian Bridal Wedding Jewelry

In Hinduism Marriage or Vivaah is a most important Sanskar as well as Dharma. Every Hindu bride wants to look her best on her wedding day as it is the most awaited moment in her life.After the clothing,the bridal jewelry is undoubtedly an important detail that needs to be considered when planning for the wedding. Bridal Jewelry is the final touch that puts the entire bridal look together along with the clothing,hair and makeup. Jewelry is an essential part of wedding ceremony known as the "Solah Sringar" in which the bride is beautified with sixteen beautification processes.Here is a summary of what goes into a complete set of Hindu Bridal jewelry.

Mangalsutra
Mangalsutra is gifted by the family of the groom to the bride as a symbol of union of two families.Managalsutra or Thaali is basically a chain of black beads strung using gold metal thread and ending in a gold pendant.It is tied during the wedding ceremony "Mangalsutrabandhanam" by the groom and is a mandatory part of Indian wedding ceremony. It is worn for a life time by the bride as a symbol of a symbol of of love and goodwill.

Choora
Red and white/ivory bangles also known as "Dulhan Ka Suhag Choora" are special set of bangles gifted by the eldest "mama" or maternal uncle to the bride-to-be.Chura is usually worn in combination of Kaleera - a multilayer umbrella shaped ornament with dangling tassels.In a special ceremony two days before wedding, these bangles are cleansed with milk and then put on the brides hands. Bride cannot remove these bangles for 40 days after wedding.

Nath
Bridal Nath is a nose ring worn on the left nostril and the chain attached up in the hair with a hook.The chain is then removed by the groom on the night of the honeymoon to symbolize end of virginity.

Matha Patti
Matha Patti is a hair band in which the center portion of the jewelry is placed on the head along the center hair parting and the extensions on either sides run along the hair line above the forehead.

Maang Tikka
Maang Tikka worn on the center parting of the hair is a accessory that made of a central pendant that rests on the forehead (Third Eye Chakra) and is attached to the hair with a metal chain ending in a hook.

Choti
Choti is a long jewel worn along the length of a braid from the top where your braid would start and usually covers the entire braid depending on the length of the brides hair.

Raani Haar
This is a long and usually multi layered necklace for the wedding. It is usually made of gold,kundan or pearls.

Bajubandh
Bajubandh or armlet is given by the sister-in-law to the bride on behalf of the groom.It establishes the groom's promise to protect the bride from all the difficulties.

Kamarbandh
Gifted by the sister-in-law to the to-be bride, Kamarbandh or the waist belt is not only meant to support the wedding dress and keep in place but is also said to regulate the functions of ovaries and uterus.

Haath Phool
Bridal Haath Phool or "Hand flower"is a bracelet consisting of a oranamental central flower shaped medallion that is connected to the wrist bracelet on one end and five knuckle rings on the other end via dangling chains.

Jooda
Gifted by the mother-in-law,this is a shortened version of waist belt. It is a sort of key chain that is tucked at the side of the saree or chaniya choli.

Payal
Payal are bridal anklets that are made of silver and are gifted to the bride by the maternal uncle or "mama".Payal have tiny bells attached to the link chain so that it makes pleasing jingling sounds when the bride walks.

Bichiya
In many states of India, Bichiya are considered as one of the signs of a married woman.They are usually made in silver and are worn in pairs only.

Therapeutic Benefits of Wearing Indian Jewelry

In India jewelry is not only worn just for ornamentation purposes but also for its medical and therapeutic benefits as well.In India since ancient times, jewelry was designed, crafted and worn with great care thought and care. Indian jewelry was valued not only for beauty but also for the therapeutic,astrological and spiritual benefits it provided for its wearer.

Maang Tikka worn from the crown of the head to the forehead between the brows and rests on the acupressure median of endocrine penial gland.Pineal gland activation will help the 6th Chakra reach its potential, which includes clairvoyance, psychic abilities, intuition,spirituality and enlightenment.To further enhace the benefits of wearing a Tikka it is advisable to use a Tikka set with crystals like violet/purple Amethyst or Clear Quartz.

The sheesh phool is worn at the crest of the hair from where the juda(bun) or plaits are tied.It presses on the urinary bladder meridian and helps control headache and sleeplessness.

Nath or Nose Ring is connected to the heart meridian and increases the sense of smell and reduces nose infections.It is claimed that nose piercing also decreases pain of menstruation and eases the child birth.

Kada or Bangles are worn on the reflex points of reproductive organs like uterus and ovaries and help regulate their functions.

Ring worn on the first finger presses the reflex point of brain,on the second finger that of eyes,third that of ears and fourth that of heart. That is why engagement or wedding rings are always worn on the fourth finger of the left hand.

Necklaces presses the points of the heart and lungs and help regulate their functions.

Choker rests on the points of thyroid and parathyroid and helps regulate their functions.

Kamarbandh or waist belt helps regulate the functions of spleen, ovaries,uterus and kidney.

Payal or Anklets are mostly made of silver.They improve peripheral blood circulation and reduces inflammation of sole.

By wearing silver Bichya or Toe Rings in second finger from toe menstrual cycle course is regularized with even intervals. This gives good scope for conceiving to married women. Also it is said just because that particular nerve in the second finger from toe, also connects the uterus and passes thru heart. Because of this, the constant friction caused while walking and doing all sorts of chores during a day, it revitalizes the productivity organs. Silver being a good conductor, it also absorbs the energy from the polar energies from the earth and passes it to the body, thus refreshing whole body system.

Rajasthani Bridal Wedding Jewelry

Rajasthani Brides are actually getting married like a real Maharani as Rajasthan is famous as land of royalties and is world famous for their rich weddings.The wedding jewellery of the Rajasthani bride is a fantastic combination of several jewelry styles.Chiterias, Ghaarias, Meenakar and Sunar are the main communities which are involved in making of the unique Rajasthani Bridal Jewellery.The different types of ornament designing techniques used in Rajasthani Bridal Jewelry are:

Kundan Work

Kundan is a very special technique of jewelry making in Rajasthan where precious and semi precious gemstones are fixed in gold framework with help of lac base.

Meenakari Work

Meenakari is the very famous specialty of Rajasthani artisans in which the metal is  enamelled with bright colours.

Thewa

Thewa is the famous art of creating intricate designs with gold on brightly colored glass.

The Rajput bride wears a traditional Rajasthani 'poshaak' for the wedding ceremony that is usually consisting of "Ghaghara"(skirt), "Choli"(blouse) and "Odhini"(scarf).The Rajasthani bride wears traditional jewelry that is passed down from generation to generation.The fabulous Bridal Jewelry of Rajasthan includes the following: 

• The 'Borla' or "Rakdi" is a circular piece of adornment worn on the forehead in the parting of the hair.Rakdi are symbolic ornament of married women in Rajasthan.
• Nathni is stone-studded nose ring with chain extending upto the ear.
• The Aad is a choker encrusted with uncut diamonds.
• The Chooda that is a set of ivory and gold bangles.
• Aarsi is the thumb ring which has mirror embedded on it and enables the bride to have a glimpse of her makeup as well as her to be husband because during wedding rituals bride has a veil and can not see face of her to be life partner.
• Bajuband or Bahuband  are stone-studded armlets
• Karanphool are jhumkas along with stud earrings in shape of flower.
• Haathphool or hand flower is a slave bracelet with a central medallion in the shape of flower. With chains, it is joined with bangles of hand on one side and joined to rings on other side.
• Kada or Tada is a thick and hollow bangle for hand and legs.
• Langar is worn beneath kada in the legs which is made by joinig thick wires of silver together
• Kardhani is the major ornament worn on waist. It covers from all sides. There are small bells attached to it. It is also known as Kandora or Mekhala.
• Anguda & Bichhiya - The anguda is a ring worn on thumbs of toes while Bichhiya is ring worn on fingers of toes.Bichya is another symbolic ornament of married women in Rajasthan.
• Pungpan – It is similar to haathphool and is a slave bracelet for legs in leaf design. The rings of toes are joined with anklet through chains.
• Payal or Pajeb is an anklet in silver and when it is worn it makes melodious sound.

Jewelry Photography Tips and Techniques

 

If you sell jewelry, either in your boutique or in online shops,  Jewelry Photography is an important skill. However there are many challenges associated in photographing jewelry as the photographer has to produce an attractive and visually compelling picture of the product that will entice the shoppers to purchase.An ideal jewelry photo is crisp clear, well lit, has good exposure and a very little sparkle. As a starting point, here are some creative jewelry photography tips and techniques to get a beautifully artistic and professional looking outcomes for your jewelry pictures.

• Cameras:Automatic Point and Shoot Digital Cameras have only a few manually adjustable options available to capture the most effective jewelry photographs.However these are excellent starting digital cameras for home jewelry business owners to experiment with.DSLR camera ar best for jewelry phtography as they provide the most flexibility and freedom of manually adjusting your camera setup. 

If you want to print your jewelry pictures for magazines,brochures or advertisement posters you will need a professional DSLR camera with high mega pixels resolution.If you use a low mega-pixel digital camera to take a picture for printing as poster size, the image will appear grainy and less sharp. However if you intend to use the jewelry shots only for online viewing for your website, a standard digital camera with 8-12 mega pixels would be just fine.

• Lighting: At a time, digital cameras can capture only a part of the spectrum of electromagnetic radiation that the human eye can see.Hence lighting is another important aspect of good jewelry photography as one must be careful in placing the light to avoid unwanted glare and reflections.Generally side lighting is used to give the object an impression of depth and three dimensions. Light rays are diffused and scattered using light tents to produce softer light.This reduces the contrast and shadows and brings out the details in the subject.

• Macro Mode:Jewelry pieces are very small and intricately detailed. For a crisp clear and sharp images, jewelry needs to be photographed from near. In fact, jewelry photography is totally macro(enlarging) photography i.e. your camera acts as a microscope and has to see much more than it is visible to a naked eye.Using the macro mode(generally symbolized with a little tulip and flower) of the camera you can focus on a subject closer to your lens than normal. 

• White Balance: Different sources of light have a different temperature to them.This can can create unsightly blue, orange, or even green color casts. For example fluorescent lighting adds a bluish cast to photos whereas tungsten (incandescent/bulbs) lights add a yellowish tinge to photos.Digital cameras often have great difficulty with white balance unlike our eyes which adjust automatically for it.Many digital cameras come with auto preset filters for Tungsten, Fluorescent, Daylight, Flash, Cloudy and Shade white balances; however for jewelry photography your camera should have a “custom” or “manual” white balance.

• Zoom: For jewelry photography always use optical zoom.Optical zoom uses the optics of the lens to magnify the subject and does not degrade the quality of the image.Digital zoom uses interpolation to magnify the subject by adding new pixels to the image but it degrades the quality of your photo. You should look for a camera with at least 3X optical zoom.

• Flash: While photographing jewelry, always turn off flash.

• Aperture: The closer we get to the jewelry object, the narrower becomes the zone in which everything is sharp in the photo(Depth of Field). The smaller the aperture (the bigger f-number), the greater is DOF.You need to adjust aperture manually since when you select macro mode you also automatically choose a large aperture. Always use small aperture to keep the entire piece of jewelry in focus and blur the background.Set your aperture (F-stop) at F8.0 for most point-and-shoot cameras or F16 for DSLRs. 

• ISO: ISO refers to the light sensitivity of the sensor. As you increase the ISO setting, the sensor becomes more sensitive, meaning that it can be used in lower-light conditions.If you don't adjust your ISO manually,in low light conditions, the camera will digitally compensate for darkness and add lighted pixels into the shot, which might make your pictures grainy. For photographing jewelry in ambient daylight, set the ISO to 80 or 100. 

Besides ISO, factors that determine the brightness of your photographs are shutter speed and aperture.Exposure is determined by the combination of shutter speed and aperture (F-number).

Shutter Speed: Shutter speed is the time the shutter is open.  The slower the shutter speed, the longer the time the image sensor is exposed to light, and the brighter the resulting photograph.

Aperture: Aperture (expressed as an F-number) controls the brightness of the image that passes through the lens and falls on the image sensor. The lower the f-number, the brighter the image projected on the image sensor, and the brighter the resulting photograph.

Exposure Value(EV): Another way to adjust backlit,dark or underexposed images is to adjust the exposure compensation.Most digital cameras have fairly easy-to-access exposure compensation or exposure value (EV) controls in range of -2 to +2 with increments of .5. Digital cameras allow you to check the results immediately, so you can take a photograph, display it in the LCD monitor, and then raise exposure compensation for brighter results or lower exposure compensation for darker results and take another picture.  If you set the EV too high, the image will appear "washed out".

South Indian Bridal Wedding Jewellery

South Indian Bridal Jewellery is the most beautiful traditional jewellery among all Indian ornaments.South Indian Bridal Jewellery has been associated with richness, grandeur and magnificence and this is one of the reasons why the South Indian wedding fashion has not changed over the years. For a family or community, South Indian Bridal Jewellery showcases not only the traditions & beliefs, but also a union of values, of families coming together and bringing two lives in perfect harmony, through the rituals of holy matrimony.With a little variation in ceremonies and custom, South Indian Bridal Jewellery remain similar in most aspects across all southern states.

In South Indian Wedding Jewellery, the things which clearly differentiates it from other Hindu weddings are the gold Indian bridal jewellery.Bridal range has been painstakingly hand-crafted in 22 ct pure Gold, using the traditional South Indian ancient techniques of jewellery making.The style of jewelry is known as "Temple Jewelry" The design inspiration has been drawn from the various Temple Motifs across the South India. The stones used are Burmese Rubies, Colombian Emeralds and Fine Diamonds.

The South Indian bride is beautified in a ceremony of ‘Pellikuturu’.The bride wears a rich silk saree and is then adorned from head to toe with  heavy yellow gold bridal jewellery with the help of her mother, sisters, and close friends. The assortment of South Indian Bridal Jewellery majorly comprises of maang tika, earrings, 2-3 layers of necklaces, bangles, armlets,sari waist belt, anklets and toe-rings.Following are the inevitable traditional jewelry items for the southern brides.

Traditional Jewelry Items for the South Indian Brides

Thaali: In a special celrmony called "Mangalya Dharanam" the groom gives the bride a "Thaali" or Karimani Mala or Mangala Sutra. The mangala sutra is the equivalent of the wedding rings and identifies a lady as a married woman.Mangalsutra necklace is made of gold and black beads with a central gold pendant that includes two emblems representing each family.

Papidi Billa or Nethi Chutti - Maang Tika

Papidi Billa or Nethi Chutti

Pathakala Haaram -a multilayer long chain necklace with peacock pendant

Pathakala Haaram

Kanta Abushanam - a tight choker close to neck
Mangamalai - Mango Motif Necklace

Mangamalai with matching Batalu and Kada

Mullai or Mottu Malai- Necklace with Jasmine bud motifs

Kaasumaalai or Kasu Mala or Kasulaperu-Necklace with Laxmi Gold Coins

Kaasumaalai  Kasu Mala Kasulaperu

Gaja Lakshmi Haaram- Necklace with motif of Goddess of Wealth-Laxmi and God of Luck- Ganesha

Gaja Lakshmi Haaram

Laxmi Haaram

Gundla Mala or Muvvala Haaram: Long Gold Necklace with gold spikes or drops

Gundla Mala

Mukku Podaka -nose ring
Meena Ungaru: Meenakari Ring
Aravanki -Armlet

Aravanki

Naga Jada or Jadai Nagam-Choti with Cobra Motif for hair braid decoration.On festive occasions, women in South India wear long linked ornaments (Jadai Nagam) over the lengths of their braids depicting cobras symbolizing fertility and sexuality.Naga Jada has engravings on gold with Lord Krishna dancing on the head of multiheaded serpent Kaliya after defeating  the evil snake who was poisoning the Yamuna River.

Naga Jada

Vaddanam/Oddiyanam -Waist Belt

Vaddanam/Oddiyanam

Kada -Antique studded bangles

Buttalu-Jhumkis

Butalu

Jolusn-Anklets

Hyderabadi Bridal Wedding Jewelry

Traditional Hyderabadi Bridal Jewelry is inspired from the Nizams Jewelry Collection which is world famous for its richness and style. It is mainly made of pearls,uncut diamonds and precious gemstones.The gemstones used are sourced from several locations around the world Rubies from Myanmar (Burma),Emerald from Colombia,Pearls from  Gulf of Mannar, between India and Sri Lanka,Blue Sapphire from Palk Straits,Sri Lanka and Diamonds from Golconda mines of  Deccan Plateau,India. Gold is used only in small amounts unlike other parts of India where 22k yellow gold is the main component. The jewelry techniques used are kundan,jadau,meenakari and navratna that were introduce and famous during the Mughal reign.

Some of the common types of  jewellery included in the Nizam Jewelry Collection are:


Gulbandh



It is a kind of pearl choker that is worn quite close to the neck. It is made with 3 to 7 rows of parallel beaded pearl strings linked together with filigree kundan attachments.These pearl strings are held together at two ends by triangular plaques which end with an adjustable cord for tying at the back.

Jadavi Lachha or Chintaak

Jadavi Lachha or Chintaak

Jadavi Lachha or Chintaak is a kind of choker having pearls on its upper border and gemstone drops on its lower border. The centre body is a band made from linked kundan polki pieces with filigree patterns in it. The hinges in the links makes it quite flexible to wear around the neck.

Jugni

Jugni is a necklace made from 2 to 3 strings of pearls and ends in an exquisite kundan pendant studded with precious gemstones.

Sath lada or Satalda

Satalda Necklace

Satalda is a seven strand layered pearl necklace with each strand having its own pendant and forming seven small necklaces. Sometimes a similar variation is created with 5 layers (panch lada) or 9 layers (Nau lada).

Jadavi Pendant



Jadavi Pendant is a kundan(jadau) pendant worn with a gemstone mala or strand.

Tirmani

Tirmani Necklace

 Trimani means three(tri) gemstones(mani).Trimani is basically made from three different gemstones.Tirmani is a unique aristrocratic Nizami look necklace studded with ruby/emerald and uncut diamond teamed with  pearls to give it a royal finish.

Chaand Baaliya

Chaand Baaliya

Chand Baali is a crescent moon shaped hoop earring made with gemstones and pearls. It is generally worn with Trimani.

Raani Haar

Raani Haar is classy long bridal necklace made with three or four strands of freshwater peals ending in a beautiful kundan pendant embedded with gemstones.

Navratna Haar

Navratna Haar with Karanphool

Navratna Haar is a necklace studded with nine different types of gemstones - Ruby, Pearl, Red Coral, Emerald, Diamond, Chrysoberyl, yellow and blue Sapphire and Hessonite,

Jhoomer

Pearl Jhoomer

Jhoomer is a fan shaped bridal hair accesory introduced during the Mughal era. It is usually made with pearls in the Nizam Jewellery Collection.

Jadavi Teeka

Jadavi Teeka

Maang Tikka is made with a chain string of pearls and a pendant inlaid with gemstones.

Kaan Jadavi

Kaan Jadavi

These are huge elaborate earrings that cover the entire ear. These are made in Jadau style.

Karanphool

Karanphool are flower shaped kundan earrings made from gemstones and have a beaded string of pearls to support the earrings.These are usually worn with  Jadavi Lachha or Chintaak.

Karanphool

Indian Bridal Bangles

India is a land of diversity.Every region and community has its own custom and style of Bridal Bangles.

1. Punjabi Sikh Bridal Bangles: 

Punjabi Sikh Bridal Bangles

Punjabi Sikh brides wear maroon and ivory colored set of bangles known as "Chura". Chuda is always worn in combination with bell shaped hangings known as "Kalire"

2. Gujarati Bridal Bangles:

Antique Ivory Bridal Chuda with Elephant Engraving

 
Bridal bangles of Gujarati community is known as "Haathi Daant no Chudlo" and it is worn with brides saree known as Panetar. These bangles are generally red and green to match the Panetar Saree.These bangles are gifted to the bride by her maternal uncle "Maama". Originally Chudlo used to be engraved from elephants tusk  but due to worldwide ban on ivory it is now made from acrylic or plastic.

Gujarati Bridal Bangles

3. Maharashtrian Bridal Bangles:

Maharashtrian Bridal Bangles

Maharashtrian brides wear plain dark green glass bangles at time of marriage as a symbol of prosperity.

4. Bengali Bridal Bangles:

Bengali Bridal Bangles

Bengali brides have a custom of wearing white engraved conch sea shell bangles shaankha ,red coral bangles pola and an iron bangle loha along with several styles of gold bangles. These bangles may be decorated with gold.

5. Rajasthani Bridal Bangles:

Rajasthani brides prefer to wear lakh or kundan bangles for their wedding ceremony. This are studded with stones and decorated with Meenakari.


6. South Indian Bridal Bangles:

South Indian Brides always wear pure 22k Gold Bangles without any stones at their weddings.